2012/05/25

Up against 'The Wall,' Roger Waters! - U-T San Diego, May 10, 2012


Former Oasis leader Noel Gallagher won’t be in the audience when former Pink Floyd leader Roger Waters brings his “The Wall Live” tour here Sunday night, but he doesn’t need to be.

“I know every word to every song on Pink Floyd’s ‘The Wall.’ I could sing it for you now, but I don’t have the time,” Gallagher told me during a U-T San Diego interview last month. “It’s an amazing masterpiece and monument to Roger Waters’ megalomania. I like megalomania. Rock ’n’ roll would be nowhere without it.”

Gallagher, 44, acknowledged there was another factor that made “The Wall” so appealing to him: “It came out just before I left school, when I started smoking pot and (expletive) doing magic mushrooms.”


Gallagher, 44, acknowledged there was another factor that made “The Wall” so appealing to him: “It came out just before I left school, when I started smoking pot and (expletive) doing magic mushrooms.”

Happily, fans don’t have to do anything more than listen to the best parts of “The Wall,” which came out in 1979 as a two-record set by Pink Floyd, to have a near magical experience.

Admirers of this alternately audacious and overblown concept album range from Smashing Pumpkins’ leader Billy Corgan to the members of My Chemical Romance (who hired “Wall” producer Bob Ezrin to oversee the making of their “Wall”-inspired album, “The Black Parade,” in 2007).

Corgan caught Waters' "The Wall Live" tour in late 2010 in Chicago, and he sounded awed when he talked about it with me in an interview later that year.

"Sitting and watching 'The Wall,' in hindsight, this appears to be a master work, especially when you see it staged," Corgan said. "It has been 30 years since 'The Wall' (debuted) and what has anybody done since then that’s been close to this as a cultural critique?"

Then there’s former San Diegan Eddie Vedder, who led the audience at Pearl Jam’s 1995 San Diego Sports Arena concert in a singalong on the “We don’t need no education” refrain from “Another Brick in the Wall (Part II),” a standout song from “The Wall” that gave Pink Floyd its only chart-topping single in the United States and England.

By coincidence, this same arena (now known as Valley View Casino Center) is where Waters will perform “The Wall” in its entirety Sunday night. He’ll be leading an 11-piece band that includes his son, Harry, on keyboards, former “Saturday Night Live” musical director G.E. Smith on guitar and bass, and keyboardist Jon Carin (who has the distinction of being perhaps the only musician extant to have also worked with a latter-day edition of Pink Floyd, guitarist David Gilmour’s post-Floyd band, and — yes! — Spinal Tap).

Sunday’s concert has been sold out for months. Waters, 68, has not performed in San Diego since a 2000 date at Coors (now Cricket Wireless) Amphitheatre. That show was mesmerizing one moment, polished but perfunctory the next. With any luck, Sunday’s Valley View concert will be an all-epic, rote-free affair.

Fun fact:During a 2000 U-T San Diego interview, Waters discussed the Los Angeles recording sessions for “The Wall.” I asked if he’d heard the whispered speculation that, during the sessions, a fellow Pink Floyd member had a fling with a very attractive and at-the-time very married female “Wall” backing singer. Waters’ coy response: “No, but I bet I know which one!”


Written by
George Varga

Photo Gallery

From: www.utsandiego.com


2012/05/18

Roger Waters live in Argentina, 11.03.2012 (Full Concert)

In Concert - Roger Waters Live Chicago 2010




The Wall Live band:

Roger Waters - bass, lead vocals, acoustic guitar & trumpet
Robbie Wyckoff - lead vocals
Graham Broad - drums, percussion, ukelele
Dave Kilminster - guitar, banjo
G.E. Smith - guitar, bass, mandolin
Snowy White - guitar
Jon Carin - keyboards, guitar, lap steel guitar
Harry Waters - Hammond organ, keyboards, accordian
Jon Joyce, Kipp Lennon, Mark Lennon, Pat Lennon - backing vocals


Setlist

Slideshow Intro
I'm Spartacus
In The Flesh
The Thin Ice
Another Brick In The Wall Part 1
The Happiest Days Of Our Lives
Another Brick In The Wall Part 2
Mother
Goodbye Blue Sky
Empty Spaces
What Shall We Do Now
Young Lust
One Of My Turns
Don't Leave Me Now
Another Brick In The Wall Part 3
The Last Few Bricks
Goodbye Cruel World

Hey You
Is There Anybody Out There
Nobody Home
Vera
Bring The Boys Back Home
Comfortably Numb
The Show Must Go On
In The Flesh
Run Like Hell
Waiting For The Worms
Stop/The Trial
Outside the Wall

2012/05/15

The Austin Chronicle, MAY 11, 2012




Live Shots
BY LUKE WINKIE, FRI., MAY 11, 2012




Roger Waters
Frank Erwin Center, May 3


Virtual bombers dropping payloads of crucifixes, Stars of David, and McDonald's logos on impoverished landscapes; biographies from across the last century of dead soldiers superimposed on the same massive, white brick wall; an enormous, inflatable praying mantis vixen suspended from the rafters, flames for hair and saw blades for arms, both impressive and slightly misogynistic: These are just a handful of the relentless onslaught of words, images, sounds, deco, conflict, resolve, and money Roger Waters' disciples were assaulted with last Thursday night when the bassist, singer, and composer erected Pink Floyd's celebrated and contentious 1979 double album The Wall at the Frank Erwin Center. You certainly couldn't accuse the 68-year-old prog pioneer of phoning it in. This was a budgeteering feat, and no stop went unpulled. A local children's choir, the costumes, flying pigs, and, of course, the anime hammers all got their requisite show time. There was no organic wiggle room, the theatrics were scripted down to the bows. When Waters introduced "Run Like Hell," his script was literally projected on the wall behind him. An idealist would say Waters is doing his best tribute to Floyd's notoriously huge tours and its nutty mythology, but it's easy to be cynical when a diminutive, gray-haired Englishman is taking the stage to fireworks and hawking band shirts for $45. Maybe that's too harsh, especially in the face of Waters, solo on an acoustic guitar, harmonizing with vintage video of himself on "Mother." And how about the absurdly disturbing inflatable teacher lording over the crowd throughout "Another Brick in the Wall (Part II)" or the sensory beatdown of "The Trial"? Man, that's the best bombast money can buy. The Wall is a paranoid, seasick album, and its live incarnation is about as physically demanding as an invasion, even if the "iProtest" puns felt a little easy. For Watersians, the performance was the closest anyone will ever get to the authorized Pink Floyd experience. If the music got left by the wayside, so be it.

PHOTO BY SANDY CARSON

From: austinchronicle.com


2012/05/12

"Radio K.A.O.S." album, 1987

Radio K.A.O.S. is a 1987 concept album by former Pink Floyd bassist, singer songwriter Roger Waters. It is his second solo album.




The concept is based around a 23-year-old disabled man from Wales named Billy.
Billy uses a wheelchair and is thought to be mentally a vegetable. However, Billy is highly intelligent but has no way of expressing himself. Billy has a twin brother Benny who is a coal miner. Billy lives with Benny, Benny's wife Molly, and their children. Unfortunately, Benny has lost his job in the mines due to the "market forces". One night, Benny and Billy are out on a pub crawl when they pass a shop full of TV screens broadcasting Margaret Thatcher's "mocking condescension". Benny vents his anger on this shop and steals a cordless phone. Next, in theatrical fashion, Benny poses on a footbridge in protest to the closures; the same night, a taxi driver is killed by a concrete block dropped from a similar bridge (Track 2 "Who Needs Information"). The police question Benny, who hides the phone in Billy's wheelchair. Benny is taken to prison, and Molly, unable to cope, sends Billy to live with his uncle David in L.A.. Billy is gifted and can hear radio waves in his head ("Radio Waves" track 1), so he begins to explore the cordless phone, recognising its similarity to a radio. He experiments with the phone and is able to access computers and speech synthesisers, he learns to speak through them. He calls a radio station in L.A. named Radio KAOS (hence the album title) and tells them of his life story about his brother being in jail ("Me or Him" track 3), about his sister-in-law not being able to cope and sending him to L.A. to live with his uncle Dave ("Sunset Strip" track 5), and about the closures of the mines ("Powers that Be" track 4). Billy eventually hacks in to a military satellite and fools the world in to thinking nuclear ICBMs are about to be detonated at major cities all over the world whilst deactivating the military's power to retaliate ("Home" track 6 and "Four Minutes" track 7). The album concludes with a song about how everyone, in thinking they were about to die, realises that the fear and competitiveness peddled by the mass media is much less important than their love for family and the larger community. ("The Tide is Turning" track 8).
The album is dedicated "to all those who find themselves at the violent end of monetarism."

Track listing

All songs written by Roger Waters.
"Radio Waves" – 4:58
"Who Needs Information" – 5:55
"Me or Him" – 5:23
"The Powers That Be" – 4:36
"Sunset Strip" – 4:45
"Home" – 6:00
"Four Minutes" – 4:00
"The Tide Is Turning (After Live Aid)" – 5:43

Personnel 


Roger Waters – vocals, guitars, bass guitar, shakuhachi, keyboards


Graham Broad – percussion, drums
Mel Collins – saxophones
Nick Glennie-Smith – DX7 and Emu on "Powers That Be"
Matt Irving – Hammond organ on "Powers That Be"
John Linwood – drums on "Powers That Be"
Andy Fairweather Low – electric guitars
Suzanne Rhatigan – main background vocals on "Radio Waves", "Me or Him", "Sunset Strip" and "The Tide Is Turning"
Ian Ritchie – piano, keyboards, tenor saxophone, Fairlight programming, drum programming
Jay Stapley – electric guitars
John Phirkell – trumpet
Peter Thoms – trombone
Katie Kissoon, Doreen Chanter, Madeline Bell, Steve Langer & Vicki Brown) – background vocals on "Who Needs Information", "Powers That Be" and "Radio Waves"
[edit]Guest Appearance
Clare Torry – vocals on "Home" and "Four Minutes"
Paul Carrack – vocals on "The Powers That Be"




Radio K.A.O.S. Lyrics


Jim: This is K.A.O.S. You and I are listening to KAOS in Los Angeles. Let's
go to the telephones now and take a request.
Billy: Hello, I'm Billy.
Jim: Yes?
Billy: I hear radio waves in my head.
Jim: You hear radio waves in your head? Ah! Is there a request that you have
tonight for KAOS?

Radio Waves


Radio waves. Radio waves.
He hears radio waves. Radio waves.
The atmosphere is thin and cold
The yellow sun is getting old
The ozone overflows with radio waves
AM, FM, weather and news
Our leaders had a frank exchange of views
Are you confused, radio waves.

Radio waves, radio waves
AM radio waves, FM radio waves
Radio waves, mind-numbing radio waves
Fish-stunning radio waves
Radio waves.

Magic Billy in his wheel chair
Is picking up all this stuff in the air
Billy is face to face with outer space
Messages from distant stars
The local police calling all cars, radio waves

Hear them radio waves, radio waves
Jesus saves radio, radio waves
Radio waves, AM radio waves, FM radio waves
All them radio waves

Radio waves, radio waves, he hears radio waves
Radio waves, radio waves, hopeful radio waves, dopeful radio waves
Radio waves, Russian radio waves, Prussian radio waves
Eastern radio waves, Western radio waves
Testing radio waves, one two. One two.
Radio waves. Getting through to you
More code radio waves, Tobacco road radio waves
South to Paloma radio waves, Oklahoma City radio waves
Sitting pretty radio waves, nitty-gritty radio waves
Radio waves

Jim: Alright, that's a song called Radio Waves. You are listening to KAOS in
Los Angeles and we've got Billy on the line.
Billy: I'm from the valleys.
Jim: You're from the valley?
Billy: No, Jim you schmuck, the Valleys; male voice choirs, Wales.
Jim: Ah, you're from Wales! Now is this sperm or blue-tip?
Billy: Ha, ha, ha, ha. Very funny Jim.
Jim: Sorry.
Billy: Me and Benny went out.
Jim: Who's Benny?

Who Needs Information


Me and Benny went out last night
Looking for fun
Supping ale in the moonlight
Waiting for the dawn to come
Benny pointed at a HiFi shop
He said hey man look at all the stuff they've got
How'd you make a have out of a have not
Hmmmm.
Who needs information
When you're working underground
Just give me confirmation
We could win a million pounds

Benny climbed up on a footbridge
And he teetered on the parapet
He said can you see the whites of their headlights
Are they coming yet

Who needs information
This high off the ground
Just give me confirmation
We could win a million pounds

Who needs information
When you're living in constant fear
Just give me confirmation
There's some way out of here
Some way out of here

Benny hefted a breeze block
And tried to let go
Got hung up on a tear drop
So me and Benny went home

Who needs information
When you're living in constant fear
Just give me confirmation
There's some way out of here
Some way out of here

Who needs information yeah
When you're living on borrowed time
Just give me confirmation
There will be a winner this time

Who needs information when you're working underground
Just give me confirmation
We could win a million pounds
Who needs, who needs, who needs information
This high off the ground
Just give me confirmation
We could win a million pounds - yeah

Jim: Um.
Jim lights a cigarette.
Jim: So your brother's in jail?

Me or Him


You wake up in the morning, get something for the pot
Wonder why the sun makes the rocks feel hot
Draw on the walls, eat, get laid
Back in the good old days

Then some damn fool invents the wheel
Listen to the whitewalls squeal
You spend all day looking for a parking spot
Nothing for the heart, nothing for the pot

Benny turned the dial on his Short Wave radio
Oh how he wanted to talk to the people,
he wanted his own show
Tune in Moscow. Tune in New York
Listen tot the Welsh kid talk
Communicating like in the good old days

Forgive me father for I have sinned
It was either me or him
And a voice said Benny
You fucked the whole thing up
Benny your time is up
Your time is up

Benny turned the dial on his Short Wave radio
He wanted to talk to the people
He wanted his own show
Tune in Moscow. Tune in New York
Listen to the Welsh kid talk communicating
Like in the good old days

Forgive me Father
Welsh Policeman: Mobile One Two to Central.
For I have sinned
Welsh Policeman: We have a multiple on the A465
between Cwmbran and Cylgoch.
Father it was either me or him.
Father can we turn back the clock?
Welsh Policeman: Ambulance, over.
I never meant to drop the concrete block.
Welsh Policeman: Roger central, over and out.

Benny turned the dial on his Short Wave radio
He wanted to talk to the people
He wanted his own show
Tune in Moscow. Tune in New York
Listen to the Welsh kid talk
Just like in the good old days
The good old days

Radio announcer: Do you really think Iranian terrorists would have taken
Americans hostage if Ronald Reagan were president?
Do you really think the Russians would have invaded Afghanistan if Ronald
Reagan were president?
Do you really think third-rate military dictators would laugh at America and
burn our flag in contempt if Ronald Reagan were president?
Concerned Citizen: Well, it might work!
Hostage: We as a group do most importantly want to beseech President Reagan
and
our fellow Americans to refrain from any form of military or violent means as
an attempt, no matter how noble or heroic, to secure our freedom.

Concerned Citizen: Sure! Only it's going to be mighty dangerous for you,
Cassidy

Hoppy's faithful sidekick: guess you don't know Hopalong Cassidy, Mister.
Adventure's his bread, excitement's his butter and danger, why to him that's
like strawberry jam to top it off.

Jim: This is some live rock and roll at KAOS, where rock and roll comes out of
chaos and a song called "The Powers that Be"...


The Powers That Be


The powers that be
They like a tough game
No rules
Some you win, some you lose
Competition's good for you
They're dying to be free
They're the powers that be
They like a bomb proof cadillac
Air conditioned, gold taps,
Back seat gun rack, platinum hub caps
They pick horses for courses
They're the market forces
Nice car Jack
They like order, make-up, lime light power
Game shows, rodeos, star wars, TV
They're the powers that be
If you see them come,
You better run - run
You better run on home

Sisters of mercy better join your brothers
Put a stop to the soap opera right now
They say the toothless get ruthless
You better run on home

You better run - run
You better run on home

The powers that be
They like treats, tricks, carrots and sticks
They like fear and loathing, they like sheep's clothing
And blacked-out vans

Blacked-out vans, contingency plans
They like death or glory, they love a good story
They love a good story

Sisters of mercy better join with your brothers
Put a stop to the soap opera state
They say the toothless get ruthless
Run home before its too late
You better run - run
You better run on home

Billy: Goodnight, Jim.
Jim: Goodnight, Billy.
Uncle David's Great Dane: Woof, woof, woof!


The canyon - daytime. Billy plays with Great Uncle David's Great Dane.
Paraquat Kelly: Bull heads, three red snapper, one pink snapper and your
Pacific coastal trench hosemonster fish.
Cynthia Fox: Ohhh! At Sky David's juke joint of joy reports, forty under the
console giggle stick ling cod, twenty-three purple perches four
sledgehammerhead sharks, and what a surprise, eightyfour crabs, and no red
snappers.
Paraquat Kelly: Hey, and that'll do for the triumphant return of the fish
report with a beat.
Jim: We think of it as mainstreet, but to the rest of the country it's Sunset
Strip. You're listening to KAOS in Los Angeles.

Sunset Strip


I like staying with my Uncle Dave
And I like playing with his great dane
But I don't fit
I feel alien and strange Kinda outa range

I like riding in my Uncle's car
Down to the beach where the pretty girls all parade
And movie stars and paparazzi play
The Charles Atlas kicking sand in the face game

And I sit in the canyon with my back to the sea
There's a blood red dragon on a field of green
Calling me back

Back to the Black Hills again
Ooh, ooh, Billy come home

Billy is searching for his native land
Flicking through the stations with the dial in his head
Picking up -------------- and
A male voice choir on the short wave band

Billy taps out Jim's number on the 'phone
Sits shaking as he waits for Jim's answering tone
Come on my friend, speak to me please
The land of my fathers is calling to me
And I sit in the canyon with my back to the sea
There's a blood red dragon on a field of green
Calling me back, back to the Black Hills again
Ooh, ooh, Billy come home

Come on home
He sits in the canyon with his back to the sea
Sees a blood red dragon on a field of green
He hears a male voice choir singing Billy come home
Billy, Billy, come home
Come on home

Californian Weirdo: I don't like fish.
Jim: You are listening to KAOS here in Los Angeles.
Californian Weirdo: I don't like fish.
Jim: Yes, we've established that. Ah! Do you have a request?
Californian Weirdo: Shell fish, guppy, salmon, shrimp and crab and lobster,
flounder.I hate fish, but I think most of all I hate fresh fish, like trout. I
hate fresh trout. My least-hated, favourite fish would be sole. That way you
don't have to see the eyes.
Sole has no eyes.
Jim: Oh no!
I'd like to be home with my monkey and my dog
Jim: Thankyou.
I'd like to be home with my monkey and my dog
I'd like to be home with my monkey and my dog
I'd like to be home with my monkey ...
Jim: They don't care. Shut up. Play the record.

Home


Jim: Oh, God!
Californian Weirdo: Sole has no eyes.
Could be Jerusalem, or it could be Cairo
Could be Berlin, or it could be Prague
Could be Moscow, could be New York
Could be Llanelli, and it could be Warrington
Could be Warsaw, and it could be Moose Jaw
Could be Rome
Everybody got somewhere they call home
When they overrun the defences
A minor invasion put down to expenses
Will you go down to the airport lounge
Will you accept your second class status
A nation of waitresses and waiters
Will you mix their martinis
Will you stand still for it
Or will you take to the hills

It could be clay and it could be sand
Could be desert
Could be a tract of arable land
Could be a house, could be a corner shop
Could be a cabin by a bend in the river
Could be something your old man handed down
Could be something you built on your own
Everybody got something he calls home

When the cowboys and Arabs draw down
On each other at noon
In the cool dusty air of the city boardroom
Will you stand by a passive spectator
Of the market dictators
Will you discreetly withdraw
With your ear pressed to the boardroom door
Will you hear when the lion within you roars
Will you take to the hills

Will you stand, will you stand for it
Will you hear, ohhhh! ohhh! when the lion within
you roars

Could be your father and it could be your mother
Could be your sister, could be your brother
Could be a foreigner, could be a Turk
Could be a cyclist out looking for work. Norman
Could be a king, could be the Aga khan
Could be a Vietnam vet with no arms and no legs
Could be a saint, could be a sinner
Could be a loser or it could be a winner
Could be a banker, could be a baker
Could be a Laker, could be Kareem Abdul Jabar
Could be a male voice choir
Could be a lover, could be a fighter
Could be a super heavyweight, or it could be
something lighter
Could be a cripple, could be a freak
Could be a wop, gook, geek
Could be a cop, could be a thief
Could be a family of ten living in one room on relief
Could be our leaders in their concrete tombs
With their tinned food and their silver spoons
Could be the pilot with God on his side
Could be the kid in the middle of the bomb sight
Could be a fanatic, could be a terrorist
Could be a dentist, could be a psychiatrist
Could be humble, could be proud
Could be a face in the crowd
Could be the soldier in the white cravat
Who turns the key in spite of the fact
That this is the end of the cat and mouse
Who dwelt in the house
Where the laughter rang and the tears were spilt
The house that Jack built
Where the laughter rang and the tears were spilt
The house that Jack built
Bang, bang, shoot, shoot
White gloved thumb, Lord thy will be done
He was always a good boy his mother said
He'll do his duty when he's grown, yeah
Everybody's got someone they call home


Four Minutes 


Billy: Four minutes and counting.
Jim: O.K.
Billy: They pressed the button, Jim.
Jim: They pressed the button Billy, what button?
Billy: The big red one.
Jim: You mean THE button?
Billy: Goodbye, Jim.
Jim: Goodbye! Oh yes. This ain't au revoir,
it's goodbye! Ha! Ha!
Jim: This is KAOS. It's a beautiful, balmy, Southern California summer day.
It's 80 degrees ... I said balmy ... I could say bomby ... Ha! Ha! ...O.K.
I'm Jim and this is Radio KAOS and with only four minutes left to us, let's use
this as wisely as possible.
Molly: Everybody got someone they call home.
Jim: Out at Dodger Stadium.
It's the bottom of the seventh, the Dodgers are leading
Three to nothing over the Giants, and for those of you who are looking to go
surfing tomorrow, too bad.
'Phone rings.
Jim: I'm kinda lost in here to tell you the truth ...
O.K. good. Ladies and gentlemen, if the reports that we are getting are
correct, this could be it. Billy, if you're listening to me, please call now.

After a near miss on the plane
You swear you'll never fly again
After the first kiss when you make up
You swear you'll never break up again
And when you've just run a red light
Sit shaking under the street light
You swear to yourself you'll never drink and drive again
Sometimes I feel like going home
You swear you'll never let things go by again.
Sometimes I miss the rain and snow
And you'll never toe the party line again
And when the east wind blows
Sometimes I feel like going home

Jim: Billy, if you are listening, please call.
Californian Weirdo: Sole has no eyes.
Molly: Goodbye little spy in the sky.
They say that cameras don't lie.
Am I happy, am I sad, am I good, am I bad?
Jim: Billy, if you're listening, please call.
Californian Weirdo: Sole has no eyes, sole has no eyes
Billy: Ten, nine, eight, seven
Margaret Thatcher: Our own independent nuclear deterrent has helped to keep the
peace.
Billy: Six, five four, three,
Ordinary Person: ...you've go a job...
Billy: Two, one,
Margaret Thatcher: For nearly forty years
Jim: Goodbye Billy.

The Tide is Turning (After Live Aid)


I used to think the world was flat
Rarely threw my hat into the crowd
I felt I had used up my quota of yearning
Used to look in on the children at night
In the glow of their Donald Duck light
And frighten myself with the thought of my little ones burning
But oh, oh, oh, the tide is turning
The tide is turning

Satellite buzzing through the endless night
Exclusive to moonshots and world title fights
Jesus Christ imagine what it must be earning
Who is the strongest, who is the best
Who holds the aces, the East or the West
This is the crap our children are learning
But oh, oh, oh, the tide is turning
The tide is turning
Oh, oh, oh, the tide is turning

Now the satellite's confused
'Cos on Saturday night
The airwaves were full of compassion and light
And his silicon heart warmed
To the sight of a billion candles burning
Oo, oo, oo, the tide is turning
Oo, oo, oo, the tide is turning
The tide is turning Billy

I'm not saying that the battle is won
But on Saturday night all those kids in the sun
Wrested technology's sword from the hand of the
War Lords
Oh, oh, oh, the tide is turning
The tide is turning Sylvester

The tide is turning.