2013/04/08

Interview with Pink Floyd's Roger Waters about his support for the campaign for Boycott, Divestment and Sanctions (BDS) against Israel.

Published By: Organised Rage - 8 April 2013



Roger Waters is the most famous rock star to have publicly supported the campaign for boycott, divestment and sanctions (BDS) against Israel.


A founder of Pink Floyd — a British rock group which has sold more than 250 million albums — Waters decided to become active in the international Palestinian solidarity movement following a trip to the West Bank in 2006. Shocked by the oppression that he witnessed, Waters spray-painted the words “we don’t need no thought control” — a line from one of his biggest hits — on Israel’s wall.

More recently, Waters has served as a juror on the Russell Tribunal on Palestine, an initiative aimed at drawing attention to how Western governments and companies aid Israel’s violations of international law. In that capacity, he addressed the United Nations during November last year.

Visiting Brussels for the tribunal’s final session, Waters said he would explore the idea of releasing a single urging musicians not to perform in Israel. He intends to discuss this project with Steven Van Zandt, the guitarist in Bruce Springsteen’s E Street Band, who assembled many well-known musicians to record Sun City, a protest song against apartheid in South Africa during the 1980s.



Waters spoke to electronicintifada.net David Cronin.


David Cronin: Do you think the campaign for a cultural boycott of Israel is having an impact?

Roger Waters: I’d like to think that it was.
My experience when I speak to people to and say “don’t go” is either they reply “that sounds good”or they say “don’t you think it’s better to go there?”

Well, no, I fucking don’t.

I think that the kind of boycott that was implemented against the apartheid regime in South Africa back in the day is probably the most effective way to go because the situation is that the Israeli government runs an apartheid regime in Israel, the occupied territories and everywhere else it decides. Let us not forget that they laid waste to most of Lebanon around the time I started getting involved in this issue. They destroyed airports, hospitals, any public buildings they could.

They are running riot and it seems unlikely that running over there and playing the violin will have any lasting effect.

DC: Have you personally asked any fellow musicians to boycott Israel?

RW: Yeah, I have.

DC: Would you prepared to say who those musicians were?

RW: No, I wouldn’t be. It was entirely private between me and them.

All I would say is that part of my involvement here in the Russell Tribunal today and tomorrow is that I am about to publish an open letter written to all my colleagues in the music industry, asking them to join me in the BDS movement. This is not just to colleagues in the UK or US but around the world.

What caused me to write this public letter was an affair where Stevie Wonder was hired to play a gala dinner for the Israeli Defense Forces on 6 December last year. I wrote a letter to him saying that this would be like playing a police ball in Johannesburg the day after the Sharpeville massacre in 1960. It wouldn’t be a great thing to do, particularly as he was meant to be a UN ambassador for peace. It wasn’t just me. Desmond Tutu also wrote a letter.

To his eternal credit, Stevie Wonder called them [the gala’s organizers] up and said “I didn’t quite get it” [and canceled the performance]. This happened one week after I made a speech to the UN. Neither of these events were reported anywhere in the mainstream media in the United States of America.

Both events were almost as important as [TV personality] Kim Kardashian’s bra size. The way they are not being reported means the media must be under instructions from somewhere not to report these things to the American public, on what grounds I cannot guess.
DC: How do you feel about the support for Israel offered by David Cameron’s government in your native Britain?

RW: Cameron has absolutely adopted Tony Blair’s wolf’s clothing that he [Blair] adopted so eagerly and happily when he went to war in Iraq on George Bush’s coat-tails.

Cameron is entirely content for Great Britain to be a satellite nation of the US. None of us can quite understand why.

There is a glimmer of light at the end of the tunnel. The EU’s diplomatic emissaries [in the West Bank] joined together [recently]. They protested the settlements and asked for sanctions. This is almost unprecedented. But the governments of these emissaries have done nothing and continue to do nothing.

I have been very disillusioned with UK foreign policy really since [Harold] Wilson [a Labor Party prime minister during the 1960s and 1970s]. It was such a political turnabout from [Labor leaders] Keir Hardie and [Clement] Attlee and the principles of British socialism. It was a precursor for taking over the country with the appalling monetarist strategies of Margaret Thatcher and Ronald Reagan. I’m quite ashamed of the way we have behaved. The UK has been royally fucking the world over for centuries — not least you bog Irish.

DC: One of your fellow jurors on the Russell Tribunal, Stéphane Hessel, died recently. Did you know him well?

RW: I knew him very little. What a brave, eloquent, good-hearted, brilliant man.

DC: As a musician, have you had a chance to check out the vibrant Palestinian hip-hop scene?

RW: I haven’t. But if it thrives, I can’t find anything negative about that, so long as it’s not about bling and booty and wearing a baseball cap sideways. So long as it’s about protest and realism, rather than the flight from realism that hip-hop is in the US.

DC: In your speech to the UN, you paid tribute to Rachel Corrie. Is there anything you would like to say about Rachel Corrie, given that it’s the tenth anniversary of her murder?

RW: Her parents attended the [Russell Tribunal] session in New York [last year]. It was very moving.

DC: Do you support the hunger strikes being undertaken by a number of Palestinian prisoners?

RW: The thing about political prisoners is: it doesn’t matter if you are in the Maze [in Northern Ireland] or in a prison somewhere in Israel, your options are very limited. Hunger strikes or dirty protests are some of the very few options to bring attention to your specific predicament.

I respect the brave men and women who go to those lengths. As we know, hunger-striking is not like going on a diet. It is real, dangerous and painful. You don’t do it without compelling reasons.

David Cronin is a contributing editor with The Electronic Intifada. His book Europe’s Alliance With Israel: Aiding the Occupation is published by Pluto Press.
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Thanks to Tony Greenstein for heads up.

From www.organizedrage.com
 


Waters e quel viaggio della memoria a Cassino L'ex Pink Floyd cerca il padre, caduto di guerra

Corriere della Sera - 30 marzo 2013

Alessandro Fulloni


Passi lenti, fermandosi spesso nel silenzio del camposanto per accarezzare a lungo il marmo delle croci di guerra. I fan sono lontani, lo guardano assiepati dal ciglio di una strada di campagna puntandolo con lo zoom della telecamerina o della digitale. Roger Waters, leggenda del rock, ex cantante e bassista dei Pink Floyd, non sembra più farci caso. Continua a camminare sul prato del cimitero inglese alla ricerca della tomba del padre, Eric Fletcher Waters, ufficiale dell'esercito di Sua Mestà morto nella carneficina dello sbarco ad Anzio, nella primavera del 1944, quando migliaia di soldati alleati furono falciati nei pressi della spiaggia da mortai e mitragliatrici della Wehrmacht.





LA TOMBA DEL PADRE - I resti del sottotenente, arruolato nei Royal Fusiliers, truppe d'elite che durante la guerra furono impegnate dal Pacifico alla Normandia, sono sepolti proprio nel cimitero di guerra di Cassino assieme a migliaia di tombe di militari tedeschi, francesi, polacchi, neozelandesi e italiani. Nel pomeriggio di venerdì 29 il Waters è andato a cercare la tomba del padre. E' la prima volta che vede Cassino, teatro durante la campagna d'Italia di una feroce battaglia che vide anche l'abbazia benedettina distrutta sotto i bombardamenti alleati. Il compositore rock non sa nemmeno dove sia la tomba di suo padre, a cui ha dedicato alcuni tra i brani più belli, in bilico tra memoria, malinconico dolore e impegno antimilitarista. Alle telecamere di TeleUniverso, emittente del litorale pontino e della Ciociaria, l'ex dei Pink Floyd racconta di aver compiuto «questo viaggio perchè il mio passato è il mio futuro». L'idea di Waters, maturata dopo aver saputo «che mio padre è sepolto con ogni probabilità in questo cimitero», è quella di girare un video che però «non è destinato alla pubblicazione».

A CASSINO IN VAN - La leggenda del rock arriva a Cassino a bordo di un van dai vetri oscurati. Quando esce qualcuno lo riconosce. E in pochi istanti si forma una folla di circa 200 persone. I dischi in vinile di «The Wall» - proprio il 33 giri che contiene uno dei brani dedicati al padre - si moltiplicano tra le mani dei fan che vogliono assolutamente un autografo. Lui, paroliere dell'intimismo e della solitudine, mai troppo a suo agio tra il pubblico, sulle prime si schermisce. Si «scioglie» solo quando qualcuno gli regala la sciarpa del Cassino calcio. Waters non è solo uno straordinario poeta del rock, è anche un tifoso sfegatato dei «Gunners», la squadra londinese dell'Arsenal. Apprezza, sorride, pronuncia un «grazie» in italiano che sembra commosso. Poi scompare nel furgoncino. Quando s'allontana volta lo sguardo verso il cimitero e la tomba del sottotenente dei Fusiliers caduto ad Anzio per liberare l'Italia gli deve sembrare vicinissima.

From www.corriere.it

2013/03/24

Roger Waters Calls for Boycott of Israel - Rolling Stone, March 20, 2013

Pink Floyd rocker accuses government of 'running riot'


By JON BLISTEIN
MARCH 20, 201




Pink Floyd's Roger Waters says a boycott of Israel, similar to the one implemented against South Africa during apartheid, is the "way to go." He accuses the Israeli government of running a similar regime by occupying the West Bank and Gaza territories in a new interview with the Electronic Intifada.

Waters became an outspoken supporter of the campaign for boycott, divestment and sanctions (BDS) against Israel after visiting the West Bank in 2006, where he spray-painted the lyric "We don't need no thought control" from Pink Floyd's famous anthem "Another Brick in the Wall (Part 2)" on the Israeli West Bank barrier.


"They are running riot," said Waters of the Israeli government, "and it seems unlikely that running over there and playing the violin will have any lasting effect."

Waters currently serves as a juror on the Russell Tribunal on Palestine, which seeks to bring attention to how Western governments and companies assist Israel in what they perceive to be violations of international law. The singer plans to publish an open letter to his peers in the music industry asking them to join him in the BDS movement.

In the interview, the musician also spoke about reaching out to Stevie Wonder before he was set to play a gala dinner for the Israeli Defense Forces in December. "I wrote a letter to him saying that this would be like playing a police ball in Johannesburg the day after the Sharpeville massacre in 1960. It wouldn't be a great thing to do, particularly as he was meant to be a UN ambassador for peace," Waters explained. "It wasn't just me. Desmond Tutu also wrote a letter."

"To his eternal credit," Waters continued, "Stevie Wonder called [the gala's organizers] up and said 'I didn't quite get it' [and canceled the performance]." Waters went on to criticize the lack of media attention given to Wonder's cancellation, as well as discuss his own speech to the U.N. about the conflict last week.

From www.rollingstone.com




2013/03/20

Turn The Moon Dark on March 24th - global playback event


Pink Floyd and EMI Music will mark the 40th anniversary of the original UK release of The Dark Side of The Moon on Sunday (March 24th), as fans around the globe unite to turn a specially designed moon dark. Centred around a global playback of the album on PinkFloyd.com, each memory, thought and photo tweeted as fans rediscover the album will count towards the creation of a dark side of the moon.
Starting at 00:01am GMT on Sunday, for the entire day, fans all over the world will be able to share thoughts and comments via Twitter using #DarkSide40 and witness the impact as the volume of messages combine to turn the moon dark.


Written by Matt  www.brain-damage.co
Monday, 18 March 2013

Pink Floyd - The Dark Side of the Moon (1973) [Full Album]




Track 1 (Speak to Me)
Track 2 (Breathe)
Track 3 (On the Run)
Track 4 (Time)
Track 5 (The Great Gig in the Sky)
Track 6 (Money)
Track 7 (Us and Them)
Track 8 (Any Colour You Like)
Track 9 (Brain Damage)
Track 10 (Eclipse)