Roger Waters floors Joe Louis crowd with ambitious 'Wall'
Roger Waters performs Pink Floyd's towering epic "The Wall" to a near-capacity crowd at Joe Louis Arena on Tuesday night. (Photo by Ricardo Thomas / The Detroit News) |
Is there anybody out there?
There were plenty of people out there Tuesday at Joe Louis Arena as Roger Waters brought Pink Floyd's towering epic "The Wall" to full life for a near-capacity crowd, the second time he's brought the live staging of the 1979 classic to Metro Detroit.
The first time was a riveting show in October 2010 at the Palace of Auburn Hills. Waters has presented "The Wall" more than 140 times since on three different continents, but it shows no signs of wear, and aside from an exasperated "ugh!" he let out mid-show, neither does Waters.
That's because "The Wall" touches on universal themes of alienation and mistrust of authority and takes an anti-government, anti-corporation stance that resonates just as deeply today as it did when "The Wall" was first released. And it's also because this presentation of "The Wall" is, quite simply, one of the most astounding rock spectacles that's ever been staged, an exquisite visual masterpiece that takes its cues from rock theater and is daring enough to capture "The Wall" in all its ambitious, over-the-top glory.
Here's the quickie version of the two-and-a-half hour show: A wall stretching the width of the arena gets built, images are projected on to it, the wall gets knocked down. In between there is a choir of local schoolchildren, some ghastly inflatable characters, an airborne pig and enough messages of anti-capitalism and anti-greed to make you never go to the store again. At one point Waters pulls out a tommy gun and mock-mows down the audience. Show's over, thanks everybody for coming out!
But the pinpoint timing of the show, the masterful lighting and the unbelievable staging make it an out-and-out event for the ages that everyone should experience at least once. And once it's gone, it's gone. Where is the next "The Wall" going to come from? Does Taylor Swift have something hidden up her sleeve, is Drake sitting on something big? "The Wall" is a big idea made even bigger by Waters' grand, exacting vision, and it takes a certain level of crazy to even attempt something on the level at which he's working. Even U2's gargantuan stadium epics don't touch the rich detail and grand sweep of "The Wall." So whomever is stepping up to the plate next has some pretty big shoes to fill. Let's just hope it's not all downhill from here.
"The Wall's" first act, where the wall is being built, is startling, but the second act is where it towers. "Run Like Hell" was a grand piece of showmanship, but the chilling "Comfortably Numb" remains the highlight, with Waters at the base of the wall while vocalist Robbie Wyckoff and guitarist Dave Kilminster fill in David Gilmour's parts from atop the structure. Tuesday night at the Joe, it rang out as one of the most electrifying songs I've ever heard in concert.
The messages and questions from "The Wall" still ring out: The show must go on; tear down the wall; is there anybody out there?
And fans know that thanks to Waters' masterful presentation, "The Wall" remains as strong as it ever was.
By ADAM GRAHAM
From www.detroitnews.com
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